The majority of the stories are set in Anatolia cities in tha 90s. Azer Bülbül, Müslüm, Ferdi, İbrahim Tatlıses, Cengiz Kurtoğlu are heart in the background. Along with Mevdudi, Şeriati, Witgenştayn, Fuko… the young people reading Mevdudi, Şeriati believe in Islam revolution, with all its contradictions and dilemmas, the ideological rhetoric of the time is put forward in a mischievous language. In The book dedicated to all the streets of Turkey Hasan Harmancı calls on us from a story train departed from Şeker Tekke towards the world. In the train there is a -As the author defines it- “conversation peg-top” that keeps swirling with the each lash, turning from side to side, floating accelerating. Like any sincere story coming from inside these are familiar; like any sincere story coming from inside these are universal.